Edo Jars are a form that is heavily influenced by Ben's time spent in Japan studying the ceramic art created during the Edo period in Japanese culture.
The Natural Ash accumulation accentuates the simplicity of form while allowing the decorative combed lines to display clearly. It is a blend of iron, mica enriched clay, and the natural ash accumulation from the wood firing process. Unusual micro-crystals forming on the surface of the piece are directly due to the slow-cooling of the kiln in the presence of the natural minerals in the clay and wood ash that collects along the clay surface. A perfect vase for fresh or dried flowers. This piece displays beautifully in a grouping. Measuring 5.5”w x 8.25"h.
Please Note: What appear to be white spots on the surface are reflections from photo lighting.
Natural Ash
The Natural Ash Glaze is produced by relying on the wood-firing process as the glazing agent. Most pieces dedicated to this glaze are placed in the kiln with little or no glaze applied to the exterior. During the firing process, the wood is stirred occasionally in the firebox to give flight to the flakes of ash that are produced during the firing. When these small flakes become airborne, they cling to the exposed areas of the pots and accumulate over a period of time. As the kiln reaches about 2300 degrees Fahrenheit, the wood ash will liquefy and begin to run down the side of the pots, as if one had poured honey on the vase.
This piece is hand-signed by Ben Owen III with the year made (2026).