Inspired by classical Greek amphora forms, this hand-thrown stoneware vase embodies the marriage of historical design and contemporary craftsmanship. Rising just over 26 inches, the vessel's poised silhouette is defined by paired loop handles that enhance its graceful proportions. The Natural Ash glaze reveals a nuanced palette—shifting between muted orange and luminous yellow tones—while mineral deposits scattered across the surface speak to the clay's organic origins. Crafted both on the wheel and with the hand using clay coils, each piece possesses its own distinct character and presence.
An ideal choice for those seeking authentic artisanal quality, whether as a refined floral display or as a contemplative sculptural element within your interior. Measuring 11.75"w x 26.5"h.
Please Note: What appear to be white spots on the surface are reflections from photo lighting.
Natural Ash
The Natural Ash Glaze is produced by relying on the wood-firing process as the glazing agent. Most pieces dedicated to this glaze are placed in the kiln with little or no glaze applied to the exterior. During the firing process, the wood is occasionally stirred in the firebox to give flight to the flakes of ash produced during the firing. When these small flakes become airborne, they cling to the exposed areas of the pots and accumulate over a period of time. As the kiln reaches about 2300 degrees Fahrenheit, the wood ash will liquefy and begin to run down the side of the pots, as if one had poured honey on the vase.
Silas Bradley
An apprentice at Ben Owen Pottery since August 2025, Silas crafts a variety of wares for the Tableware Collection. In addition to crafting work for the Pottery, Silas continues to create his own ware, focusing on stoneware pieces rendered unique through the raw unpredictability of atmospheric firings.
A native North Carolinian, Silas Bradley grew up in Clinton and discovered his passion for clay at a young age. Beginning his first apprenticeship at age 16 in Burgaw, NC, Silas immersed himself in the world of clay. This time exposed him to a wide variety of methods and techniques that sparked the development of Silas’ own voice in clay. Having worked in Texas and Montana making pots, Silas settled back in his home state to work further with the practices and traditions of Seagrove.
Silas is part of a new generation of North Carolina potters, eager to converse with longstanding traditions of craftsmanship while paving the way for new creations; with deep respect for tradition, Silas crafts pieces that evoke history and practice.
Creating honest forms that are both familiar and new, Silas attempts to write a further line in the continuing story of North Carolina clay.
This piece is hand-signed by Silas Bradley (either “Silas” or “Silas Bradley”).